Sunday, July 25, 2010
Vincent Van Gogh
Vincent (Willem) Van Gogh generally considered the greatest Dutch painter after Rembrandt; he powerfully influenced the current of Expressionism in modern art. His work, all of it produced during a period of only 10 years, hauntingly conveys through its striking colour, coarse brushwork, and contoured forms the anguish of a mental illness that eventually resulted in suicide.
In February 1888 Vincent van Gogh settled at Arles, where he painted more than 200 canvases in 15 months. During this time he sold no pictures, was in poverty, and suffered recurrent nervous crisis with hallucinations and depression. He became enthusiastic for the idea of founding an artists' co-operative at Arles and towards the end of the year he was joined by Gauguin. But as a result of a quarrel between them Vincent van Gogh suffered the crisis in which occured the famous incident when he cut off his left ear (or part of it), an event commemorated in his Self-Portrait with Bandaged Ear
In May 1889 Vincent van Gogh went at his own request into an asylum at St Rémy, near Arles, but continued during the year he spent there a frenzied production of tumultuous pictures such as Starry Night (MOMA, New York). He did 150 paintings besides drawings in the course of this year. In 1889 Theo married and in May 1890 van Gogh moved to Auvers-sur-Oise to be near him, lodging with the patron and connoisseur Dr Paul Gachet. There followed another tremendous burst of strenuous activity and during the last 70 days of his life he painted 70 canvases. But his spiritual anguish and depression became more acute and on 29 July 1890 he died from the results of a self-inflicted bullet wound.
Paul Cezanne
Paul Cezanne
French painter, one of the greatest of the Postimpressionists, whose works and ideas were influential in the aesthetic development of many 20th-century artists and art movements, especially Cubism. Cezanne's art, misunderstood and discredited by the public during most of his life, grew out of Impressionism and eventually challenged all the conventional values of painting in the 19th century through its insistence on personal expression and on the integrity of the painting itself. He has been called the father of modern painting.
Even Cézanne's pictures of people can be regarded as still lifes, because he demanded that his models sit absolutely still. Sitting for him was something of a nightmare. Not only was he foul-tempered, he was an extremely slow painter, probably the reason his subjects always look tired and sombre. Ambroise Vollard, the dealer who arranged Cezanne's first one-man show a century ago, posed 115 times for a single painting, sitting absolutely still "like an apple" and then Cézanne, dissatisfied, abandoned the picture with only two unpainted spots remaining. He told Vollard that with luck he would find the correct color and could finish the painting. "The prospect of this made me tremble," noted Vollard in his biography of the painter. In the artist's eye, there was no difference between a human sitter and a bowl of fruit, except that the reflection value and the palette were different. In the end, both his subjects and his fruit wilted.
Pyramid of Skulls
Even Cézanne's pictures of people can be regarded as still lifes, because he demanded that his models sit absolutely still. Sitting for him was something of a nightmare. Not only was he foul-tempered, he was an extremely slow painter, probably the reason his subjects always look tired and sombre. Ambroise Vollard, the dealer who arranged Cezanne's first one-man show a century ago, posed 115 times for a single painting, sitting absolutely still "like an apple" and then Cézanne, dissatisfied, abandoned the picture with only two unpainted spots remaining. He told Vollard that with luck he would find the correct color and could finish the painting. "The prospect of this made me tremble," noted Vollard in his biography of the painter. In the artist's eye, there was no difference between a human sitter and a bowl of fruit, except that the reflection value and the palette were different. In the end, both his subjects and his fruit wilted.
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